Please Join us for our Winter 2018 Art Opening
Thursday January 25th, 7:00 - 9:00 PM
Free and Open to the Public
Pentimento by Robert Weingarten
Robert Weingarten describes Pentimento, his recent body of work, as “a re-affirmation of the power of photographic memory.” Beginning with historic photographs that document major events of the last hundred years, Weingarten re-visits the original locations of these pictures and then makes photographs of the site as it exists today. He notes that, in these places, life goes on and there are often no reminders of the profound or tragic events that occurred there in the not so distant past. An Italian painting term, Pentimento is defined as “the presence or emergence of earlier images, forms or strokes that have been changed and painted over.” Weingarten’s work is a seamless layering of his photographs with the vintage images, a digital process he calls a “translucent composite.”
Warsaw, (1943) , 2011
September 11, (2001), 2013
Manzanar (1942 - 1944), 2011
The Space Between Symbols by Corrie Siegel
An artist, curator and educator, Corrie Siegel is committed to using the arts as a method of personal philosophic exploration as well as a tool for community building. Siegel’s works often explore identity and experience within a global system of communication. She plays with personal limitations of knowledge and understanding by using highly detailed observation, and involved processes for collecting and rendering her subject matter. She has exhibited her work throughout the United States as well as internationally. Her projects have been profiled in the Los Angeles Times, Mousse Magazine, and Flash Art International. Siegel is a founding member and co-director of Actual Size, an artist collective and gallery. Actual Size collaborates with established and emerging artists to activate the exhibition space and engage the public.
The cut paper works that comprise this series are created through overlaying text in a matrix to obscure the original message and reveal a pattern composed of symbols. Intricately detailed, the work is inspired by micrographic art by Hebrew scribes who sculpt, skew and stretch letters to create dynamic and textured compositions. The artist chose to dissect texts written in German including Hitler's "Mein Kampf". Through using the form of a traditional paper-cut, these loaded texts are abstracted and cut into fragile lace.
The paper-cut was once exceedingly common in Ashkenazic-Jewish homes, reaching its height of popularity in the 19th century into the early 20th. Paper-cuts served religious and other ritual needs, such as indicating the direction of prayer, remembering family deaths, holiday decoration, and warding off the evil eve. Artists adapted the cut paper technique that Jewish merchants had met through their travels to the Far East in the 14th century as well as the 17th century German paper-cuts, which were known as Scherenschnitt (scissor-cuts). In 1345, Rabbi Shem-Tov ben Yitzhak ben Ardutiel wrote The War of the Pen Against the Scissors. In this Hebrew text he recounted an occasion in which his inkwell froze on a cold winter’s evening. In order to continue his studies he resorted to cutting the letters out of the paper.
Created by Hebrew scribes in the late 9th century while transcribing the Masorah, which includes a system of marginal biblical notes that counted and listed textual details, this style of forming minute text into imagery enabled scribes to render images without blatantly violating Jewish law forbidding representation. This art form spread with the Jewish diaspora and evolved within the local cultural milieus. Micrography exemplifies the Jewish tradition of retaining identity while adapting to and affecting the local culture. Micrography also demonstrates the enduring Jewish pursuit of interpreting and navigating their evolving traditions.
"Faith in a Seed" by Joshua Abarbanel
Exhibit extended by popular demand through March 30
On view on the staircase
Convince me that you have a seed there, and I am prepared to expect wonders. —Henry David Thoreau
Joshua Abarbanel: Faith in a Seed presents a large, hanging sculpture and a selection of related wall-mounted works inspired by plants, seeds, pods, and spores. These works in wood emanate from the artist’s longstanding fascination with forms and patterns found in nature and are part of his ongoing examination of creation and impermanence. The pieces on display are informed in part by a visit Abarbanel made to the Global Seed Vault in Svalbard—a fail-safe seed storage facility built to stand the test of time and the threats of natural or man-made disasters—during an expeditionary artists residency in which he participated in the Arctic Circle.
Joshua Abarbanel is a Los Angeles-based visual artist who works in a variety of media, predominantly sculpture. His work has been exhibited at the Jewish Museum Berlin (Germany), Fleming Museum of Art (Burlington, Vermont), Art Share L.A. (Los Angeles), Japanese American Cultural and Community Center (Los Angeles), Columbia University-Bernard Kraft Center (New York), and Jose Drudis-Biada Art Gallery, Mount St. Mary’s College (Los Angeles), among other venues, and was the focus of recent solo exhibitions at TAJ Art Gallery (Los Angeles) and Hinge Parallel Gallery (Culver City), as well as a two-person exhibition at Porch Gallery (Ojai).
Abarbanel’s work has been reviewed in Fabrik and ArtFCity, and his projects have been the subject of numerous feature stories in outlets including the Associated Press, CNN Greece, Design Milk, My Modern Met, KCRW’s Design and Architecture, Colossal, Contemporist, Hi-Fructose, and a European documentary on Arte Television.
Abarbanel received dual undergraduate degrees in art and psychology from the University of California at Berkeley and a Masters of Fine Art from the University of California at Los Angeles, where he focused on ceramics. Upon completing his MFA he delved into the world of digital art and graphics, disciplines he teaches as a professor at Los Angeles Harbor College. He was born in Manchester, England and lives and works in Santa Monica, California.
Pictured above: Joshua Abarbanel Pod 01, 2015 Stained and unstained wood on fiberglass, metal chain 40” round; chain length variable
Bread & Salt: The Art of Jewish Food
Extended by popular demand through March 30
On view in the Gindi Gallery, second floor
American Jewish University (AJU) Hebrew Union College JIR-LA (HUC) USC Hillel Hillel at UCLA Academy for Jewish Religion (AJRCA) UCLA Alan D. Leve Center for Jewish Studies Jewish Women's Theater Nuart Pop-Up Exhibitions USC Israeli Arts and Humanities.
theatre dybbuk in association with the Dortort Center
Date: March 10th 2018, 8:00 PM
Location: Spiegel Auditorium
Inspired by the stories of the lost tribes of Israel, theatre dybbuk presents a full-length theatrical work, rich in movement, original music, and lyrical language that relates ancient mythological and tribal narratives to contemporary questions of integration, appropriation, and belonging.
In the early eighth century BCE, the Neo-Assyrian Empire conquered the Northern Kingdom of Israel, from whence it has been said that ten of the twelve ancient tribes of Israel were deported and assimilated. These tribes are now lost to history, with a variety of folktales, legends, and theories about their fates having come about since that time. Some are told from the point of view of those who regard themselves as members of a lost tribe, while others are told from an outside perspective in order to make a case for self-serving outcomes.
Framed in the context of a gallery exhibition, lost tribes weaves together stories from the Assyrian conquest to the present day, tracing a world history of assimilation and dominance; of cultural conquest, annihilation, and survival. The performance incorporates choreography by Kai Hazelwood and a live percussion score composed by Michael Skloff, created in collaboration with Emilia Moscoso Borja and Alex Shaw. The production is written and directed by theatre dybbuk's artistic director, Aaron Henne, and was developed with the ensemble.
Admission: Free and open to the public
Hourly parking is available at Parking Lot #2 on the corner of Hilgard Ave and Westholme.
To RSVP, click: https://hillelatucla.wufoo.com/forms/rjpiozl05o6kut/
Learn more at: http://www.theatredybbuk.org/lost-tribes
Staged Reading: "Suddenly, a Knock at the Door" by Robin E. Goldfin, based on stories by Etgar Keret
Monday November 20, 2017, 8:00 - 9:30 PM
Lenart Auditorium at the Fowler Museum at UCLA
Free and Open to the Public
“I can’t do it like this!” protests the writer EITAN KATZEN to the BEARDED MAN, the SURVEY TAKER and the PIZZA DELIVERY woman who have come knocking at his door. Brandishing weapons, they make the stakes clear: a story or your life! So the writer held hostage to these three strange muses begins to weave his tales, played out on the stage by the same characters that are holding him captive.
Suddenly, a Knock at the Door is a new play adapted by Robin Goldfin and directed by Jeff Maynard, with live instrumental music by Oren Neiman, based on stories by award winning Israeli author and filmmaker Etgar Keret. It is a celebration of storytelling and the magic of art—an ensemble piece written for six actors and two musicians playing some thirty different roles.
Playwright Robin Goldfin has chosen eight stories from the latest critically acclaimed anthology by Etgar Keret to create the comic drama of a modern writer weaving eight extra-ordinary tales in the middle of Tel Aviv. Here stories are the currency, a matter of life and death. Here, stories make us real and teach us (with a nod to Scheherazade) how to face the difficulties of life—from the absurd to the unbearable—without resorting to violence or abusing your power.
In “Suddenly, a Knock at the Door,” Mr. Goldfin’s innovative script, Mr. Keret’s unique imagination and Mr. Neiman’s original music combine to bring this play to vibrant life. Click here to read a review of the play by New York Times.
Left Image: From left to right: Antonio Minino, Alyssa Simon, Jeffrey Swan Jones, Kenneth Talberth, Gilad Ben-Zvi, Oren Neiman, Elanna White, Stephen Thornton. Right Image: From left to right: Elanna White, Kenneth Talberth, Jeffrey Swan Jones.
One of Israel's most celebrated writers, Etgar Keret is the author of six collections of stories that have been translated into more than 30 languages. In the U.S., his work has been published in The New Yorker, The New York Times Magazine, Harper's Magazine and The Paris Review. He has also been a frequent contributor on NPR's This American Life.
This event is presented by The Dortort Center for Creativity inthe Arts at UCLA Hillel in collaboration with the Younes and Soraya Nazarian Center for Israel Studies at UCLA, the Jewish Women's Theater, and the UCLA Alan D. Leve Center for Jewish Studies.
Art Opening Fall 2017
Thursday, October 26th, 7:00 - 9:00 PM
Hillel at UCLA
Free and Open to the Public
"Days of Awe" by Zhenya Gershman
"Faith in a Seed" by Joshua Abarbanel
Photo Exhibit: Ethiopian Jews still living
Artwork by Beverly Bialik for
For more information on these exhibits, please click here
Annual Student Photo Contest
Annual Student Fine Art Show
Since Syria’s civil conflict broke out in 2011, the Middle East refugee crisis has become one of the world’s largest humanitarian disasters, with over six million internally displaced and more than fix million refugees fleeing into neighboring countries. Since 2013, IsraAID has been deeply involved in the international response across 10 countries; from early relief distributions in Jordan and the Kurdistan Region of Iraq, to medical services, psychological first aid and longer-term mental health support to refugees in Greece and Germany. Our teams welcomed literally hundreds of thousands of refugees as they arrived in Western Europe, following precarious journeys. As needs change, IsraAID is increasingly focusing on longer-term programs that deal with stress reduction, resilience building, integration, and community empowerment.
"Stories of Courage and Resilience", gives you a glimpse into how IsraAID responds to emergencies and supports local communities around the world - from crises and disasters, to rehabilitation and recovery.
Concert: Ensemble for These Times - Émigrés & Exiles in the Film Industry and Los Angeles
Date: Sunday November 18th, 2:00 PM
Location: Hillel at UCLA
Free and open to the public
Ensemble for These Times (E4TT) is a Northern California-based new music chamber group whose mission is to bring new, nearly new, forbidden, and forgotten music to light, focusing on 20th and 21st century music that is relevant, engaging, original, and compelling: music that resonates today and will speak to tomorrow. E4TT’s “Jewish Music & Poetry Project” focuses on works by composers who were exiled or killed in the Holocaust, as well as music with texts by Jewish women poets or by women composers.
The Villa Aurora at 520 Paseo Miramar is located in Pacific Palisades, Los Angeles and has been used as an artists residence since 1995. It is the former home and refuge of the German-Jewish author Lion Feuchtwanger and his wife Marta after they fled from the Nazis in the 1940s. The Feuchtwangers bought this Spanish-style mansion in 1943 for only $9,000, the annual salary of a school teacher. The house was a popular meeting place for artists and the community of German-speaking émigrés. Lion Feuchtwanger wrote six of his historical novels in this house.
This event is co-sponsored by:
Louis Davidson's extraordinary photographic study of "Synagogues of North America"
Mission of Louis Davidson's SYNAGOGUES360: SYNAGOGUE 360provides a visual record of Jewish culture, showing and preserving synagogues by means of interactive 360 degree panoramic photos. It invites you and future generations to view the interiors of Jewish places of worship, which are clear and irrefutable indicators of the state of Jewish culture, architecture, art and stature in their communities throughout the Diaspora. Each synagogue is literally a “sign of the times” and window into the Jewish past and present.
Time, weather, political and demographic shift inevitably erode cities and buildings. These along with occasional upsurges of violent anti-Semitism, have been particularly thorough erasers of the physical evidence of Jewish history. SYNAGOGUES360 visually and digitally saves Jewish synagogues, an impressive physical expression of Jewish culture, for this and culture, for this and future generations to see and experience.
Please read this article by Jewish Journal spotlighting Louis Davidson and his photography.
For questions, please contact Perla Karney at 310-208-3081 x108 or firstname.lastname@example.org