Annual Student Fine Art Show Opening
Annual Student Photo Contest
"Days of Awe" by Zhenya Gershman
7:00 - 9:00 PM
ZHENYA GERSHMAN is an internationally renowned artist. She was born in Moscow, Russia and held her 1st solo exhibition in St. Petersburg at age 14. She was selected as a subject of the TV Documentary Film “Our Generation”, a project dedicated to searching for the five most talented teenagers in Russia, showing hope for the cultural future of the country. The youngest student to be admitted to Otis Art Institute, Zhenya graduated with Honors and later received her Masters of Fine Arts degree from Art Center College of Design. Today, Gershman's portraits are featured in public and private collections including Douglas Simon and Richard Weisman (she is included in the book "Picasso to Pop: The Richard Weisman Collection"). Gershman's portrait of Sting was acquired for the permanent collection of the Arte Al Limite Museum, due to open in 2017 in Santiago, Chile. Zhenya participates in important international exhibitions including Art Aspen, Art Miami, and Art Chicago. The GRAMMY MusiCares Foundation selected Gershman to create portraits of Bruce Springsteen and Bob Dylan. Her recent exhibition Larger Than Life was broadcast by Entertainment Tonight, Extra Television, and The New York Post. A documentary film, The Model's Artist, highlights Gershman's innovative approach to working with artists' models. In 2000, Gershman was a recipient of ALEX Award in Visual Arts from The National Alliance for Excellence, Honored Scholars and Artists Program, presented by Peter Frank, who is quoted as saying that Gershman’s effort evokes not only Whistler’s and Sargent’s, but that from which they took inspiration, Manet’s and Velazquez’s–masters of the figure who in their own ways avoided the banal literalities of their contemporaries for a rendition truer to the vagaries of vision, and (thereby) to the dynamics of human presence.
In addition to her artistic career, Gershman is an independent scholar and a museum educator. She has worked for over a decade in the internationally acclaimed J. Paul Getty Museum, and has contributed to such exhibitions as Rembrandt's Late Religious Portraits and Rembrandt: Telling the Difference. As a co-Founder of Project AWE, a non-profit foundation for the arts and education, Gershman has dedicated her scholarly and charitable work to provide new dimensions in understanding and experiencing the cultural icons of Western European heritage. Gershman’s groundbreaking discovery regarding the presence of a hidden Rembrandt self portrait was published by Arion, Boston University and was brought to European audiences by Le Monde, one of the most important international magazines. She continues to work in her studio, and is currently writing a book and developing a TV series entitled “Secrets of the Masters”.
"Hélène Berr, A Stolen Life":
An exhibit created by the Mémorial de la Shoah in Paris, France
This exhibition is based on the journal written by Hélène Berr, a young Jewish French woman, whose promising future was brutally cut short by Vichy Government's laws and the extermination plan imagined by the Nazis. Studying English Literature at Sorbonne University, Hélène Berr was 21 years old when she began her journal. We follow her steps through Paris under the German Occupation, perceiving the daily experience of the unbearable, oscillating between hope and despair, until her arrest and deportation to Auschwitz in 1944.
While revealing a true premonition of the inescapable, this subtle testimony is exceptionally poetic, has rare literary qualities, and carries a universal dimension that regards and questions every human being with sincerity. The exhibition however goes beyond the framework of Hélène Berr's journal and personality, as it broadens the context of the Occupation and addresses largely the persecution of the Jews in France. With the support of photographs archives, films, interactive animations and maps, this exhibition shows how the daily lives of Jews had been impacted by these terrible acts of violence.
This exhibition was designed, created, and distributed by the Mémorial de la Shoah in Paris, France (curators Karen Taieb and Sophie Nagiscarde), with the guidance of Mariette Job (niece of Hélène Berr), and made possible through the generous support of SNCF.
Co-sponsored by Hillel at UCLA and the UCLA Alan D. Leve Center for Jewish Studies.
Annual Student Photo Contest
Annual Student Fine Art Show
The Space Between Symbols by Corrie Siegel
Opening date TBA
Free and open to the public
An artist, curator and educator, Corrie Siegel is committed to using the arts as a method of personal philosophic exploration as well as a tool for community building. Siegel’s works often explore identity and experience within a global system of communication. She plays with personal limitations of knowledge and understanding by using highly detailed observation, and involved processes for collecting and rendering her subject matter. She has exhibited her work throughout the United States as well as internationally. Her projects have been profiled in the Los Angeles Times, Mousse Magazine, and Flash Art International. Siegel is a founding member and co-director of Actual Size, an artist collective and gallery. Actual Size collaborates with established and emerging artists to activate the exhibition space and engage the public.
The cut paper works that comprise this series are created through overlaying text in a matrix to obscure the original message and reveal a pattern composed of symbols. Intricately detailed, the work is inspired by micrographic art by Hebrew scribes who sculpt, skew and stretch letters to create dynamic and textured compositions. The artist chose to dissect texts written in German including Hitler's "Mein Kampf". Through using the form of a traditional paper-cut, these loaded texts are abstracted and cut into fragile lace.
The paper-cut was once exceedingly common in Ashkenazic-Jewish homes, reaching its height of popularity in the 19th century into the early 20th. Paper-cuts served religious and other ritual needs, such as indicating the direction of prayer, remembering family deaths, holiday decoration, and warding off the evil eve. Artists adapted the cut paper technique that Jewish merchants had met through their travels to the Far East in the 14th century as well as the 17th century German paper-cuts, which were known as Scherenschnitt (scissor-cuts). In 1345, Rabbi Shem-Tov ben Yitzhak ben Ardutiel wrote The War of the Pen Against the Scissors. In this Hebrew text he recounted an occasion in which his inkwell froze on a cold winter’s evening. In order to continue his studies he resorted to cutting the letters out of the paper.
Created by Hebrew scribes in the late 9th century while transcribing the Masorah, which includes a system of marginal biblical notes that counted and listed textual details, this style of forming minute text into imagery enabled scribes to render images without blatantly violating Jewish law forbidding representation. This art form spread with the Jewish diaspora and evolved within the local cultural milieus. Micrography exemplifies the Jewish tradition of retaining identity while adapting to and affecting the local culture. Micrography also demonstrates the enduring Jewish pursuit of interpreting and navigating their evolving traditions.
The Dortort Center Galleries are located at Hillel at UCLA. The public is invited to view our exhibits Monday through Friday from 10:00am to 4:00pm (or at other times by special request) when school is in session.
For questions, please contact Perla Karney at 310-208-3081 x108 or firstname.lastname@example.org